No Scarcity World - RRadio Triton Data Retrieval Interface

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Africa neocolonial recovery of subaltern histories in a dimension of genesis carried by deep resentments of the present
Alien you know this if you have spent some time in an enclosed space with an excited bat
Anarchism anarchic and eroticised happening-art
Animal companion imaginaries with those who inhabit material and semiotic positions
Black Atlantic gift-burden of the descendants of slaves, refugees, immigrants, travelers
Body a theory of the politics of sex
Fabulation fiction made up by people in their process of becoming
Fantasy criticism in the form of speculative fantasy
Feminist movement rooted in specification and articulation of different kinds of ‘elsewhere’
Feminist theory you can't do feminist theory without paying attention to the details of women lives
Fiction that which folds technical beings in order to derive from them a new type of alteration
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Science Fiction risking the wrong blend and watching the uncontrollable spill of consequences
Worlding how language participates in shaping our lived worlds in some ways and not others
Adva Zakai
Aela Royer
Alice Chauchat
Christian Hansen
Darko Suvin
Donna Haraway
Edward George
Ekaterina Kaplun
Esta Matkovic
Esther Rodriguez-Barberzo
Eunkyung Jeong
Fabrizio Terranova
Femke Snelting
Felix Guattari
Helena Dietrich
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Kristien Van Den Brande
Laurence Rassel
Lili Rampre
Luiza Crosman
Marialena Marouda
Myriam Van Imschoot
Octavia Butler
Paul Gilroy
Peggy Pierrot
Pierre Rubio
Samuel Delany
Sana Ghobbeh
Seba Hendrickx
Sina Seifee
Sol Archer
Steve Goodman
Sven Dehens
Ursula le Guin
Zoumana Meite

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anti-white noise critical space alternative takes on über-Mensch through sound and music as forms of critique
different hopes the question of ‘what to do?’ after the deillusionization of old regimes of commercial, technological, artistic, political, social utopias
programBroadcasting RRadio Triton Broadcasting RRadio Triton by OFFoff, Domes FM, a.pass and RRadio Triton, 26.01.2019
radioactive condensations portals
science fictioning the real
staging difference through minor perspectives oppressed category build-up–shifts/changes in the status of victims–resilience processes by self-determination of h/History(ies)
the trouble of an imperfectly stitched body disparate monster identity as the very condition of shared mode of vision

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No Scarcity World [►play] [solo] [data]
- https://rradiotriton.apass.be/.../RRadio-Triton-No-Scarcity-World.mp3
- No Scarcity World
- an audio editing of a collective improvisation, 20’, 2019
  Score by Sol Archer
  Performers Aela Royer, Marialena Marouda, Sana Ghobbeh, Seba Hendrickx, Sina Seifee, Sol Archer, Sven Dehens, Zoumana Meïté
  Editing and sound Pierre Rubio & Christian Hansen
  The collective improvisation was performed in January 2017 in Brussels at a.pass (advanced performance and scenography studies - a platform for artistic research)
- 163
- 00:32:09
- Aela Royer
- Marialena Marouda
- Sana Ghobbeh
- Seba Hendrickx
- Sina Seifee
- Sol Archer
- Steve Goodman
- Zoumana Meite
- Pierre Rubio
- Christian Hansen
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- Sol Archer is an artist, primarily working with the moving image to research the layering of narratives within location. Sol’s work has been exhibited internationally, at, among other places, the Sydney Biennial, the MuKHA Antwerp, Action Field Kodra, and the University of California. Currently he is an artistic researcher at the Jan van Eyck Academie where he is developing a film workshop, based on an improvisational game of science fiction and alternative futures. http://www.solarcher.co.uk https://youtu.be/vd4pM5-d3yU
- Frederick Jameson, following Darko Suvin, identifies Utopian fiction as a specifically economic sub-genre of science-fiction. Science fiction is a propositional form for creating alternative narratives, realities, and social structures, with utopian texts generally focussed on different ways of structuring property. While these may be deeply imaginary worlds, this alternative is not intended to be unrooted from the real. These imagined alternatives operate explicitly or implicitly as critique. By staging difference, one is able to critique the real, or what Darko Suvin calls the zero world. The science fictional world is not only different in time or place to our own, but one whose chief interest is precisely the difference that such difference makes. It is also a world whose difference is concretised within a cognitive continuum with the actual. At the root of this difference is a process of estrangement. This works in different ways, but one of the narrative conceptions most useful is from Darko Suvin. Suvin identifies Science Fiction as a logic of ‘cognitive estrangement’, in which something distinctly different from the real world is introduced, and the structure of the new world and its narrative extend rationally from this new thing, this ‘novum’. This mechanism of estrangement allows one to look at the world as it is from the outside. From another complete reality, and through that to critique the structures of consensus reality.
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- anti-white noise critical space
- Anarchism
- Black Atlantic
- Future
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- This collective oral script-writing follows a score proposed by Sol Archer, a visual artist primarily working with the moving image to research the layering of narratives within advanced capitalism locations. The collective ‘estranged’ oral storytelling describes an utopian world where there is no scarcity because a technology provides automatic nutrition for people for free. Beyond the exciting descriptions composing the script/world imagined on the spot by the group, the free associative and inventive process is also a mode of reflection on Suvin’s concept of ‘cognitive estrangement’.
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