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RRadio Triton Data Retrieval Interface

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  • Africa neocolonial recovery of subaltern histories in a dimension of genesis carried by deep resentments of the present
  • Alien you know this if you have spent some time in an enclosed space with an excited bat
  • Anarchism anarchic and eroticised happening-art
  • Animal companion imaginaries with those who inhabit material and semiotic positions
  • Black Atlantic gift-burden of the descendants of slaves, refugees, immigrants, travelers
  • Body a theory of the politics of sex
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  • Feminist movement rooted in specification and articulation of different kinds of ‘elsewhere’
  • Feminist theory you can't do feminist theory without paying attention to the details of women lives
  • Fiction that which folds technical beings in order to derive from them a new type of alteration
  • Foley pathway through an unmistakably specific landscape of sounds
  • Future stories that figure ‘us’ as agential and expressive
  • Music poem's body of sound in its specific particular flesh
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  • Past your head screwed backward, but not so much looking for relevant novelty
  • Present what counts as a responsible person in temporarily?
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  • anti-white noise critical space alternative takes on über-Mensch through sound and music as forms of critique
  • different hopes the question of ‘what to do?’ after the deillusionization of old regimes of commercial, technological, artistic, political, social utopias
  • programBroadcasting RRadio Triton Broadcasting RRadio Triton by OFFoff, Domes FM, a.pass and RRadio Triton, 26.01.2019
  • radioactive condensations portals
  • science fictioning the real
  • staging difference through minor perspectives oppressed category build-up–shifts/changes in the status of victims–resilience processes by self-determination of h/History(ies)
  • the trouble of an imperfectly stitched body disparate monster identity as the very condition of shared mode of vision
  • RRadio Triton Data Retrieval Interface
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  1. Hello World [►play] [solo] [data]
    • https://rradiotriton.apass.be/.../RRadio-Triton-Hello-World.mp3
    • Hello World
    • The sound piece is a long and atmospheric editing of a wild collective improvisation by a group of artists-researchers that occurred during a sound research atelier called ‘Foley Your Research’. The recording session offered choices of changing time and space completely as the artists-researchers worked free of any visual references but focussed on creating images through the exclusive use of sound.
    • 152
    • 00:18:44
    • Pierre Rubio
    • Pierre Rubio
    • Christian Hansen
    • Christian Hansen
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    • [album]
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    • anti-white noise critical space
    • Foley
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    • #76b8c9
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    • monster07.png
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    • The atelier was based both on the history of the evolution of methods used to reproduce sound effects for film (foley) and a research around the question “how does/could your research sound like?”. The artists-researchers involved in the atelier answered through audio improvised compositions to some questions like ‘does your research have a direct auditory quality and content or would you like/need to create a fictional soundscape to give it a sound? Or ‘how does an object/material producing a given sound release to the mental image you want to produce? And vice versa?
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Welcome to RRadio Triton Data Retrieval Interface
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Homepage: RRadio Triton Data Retrieval Interface

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Site Credits

  • RRadio Triton is an experimental radio project aiming at producing collective audio documents gathered in and disseminated by the ad hoc fictional radio label/station, recording, editing, sampling, remixing and releasing audio and soundscapes… [read more]

  • The audio publication RRadio Triton is the outcome of the voluntary contributions of all the actors of the 2017 a.pass seminar, BLOCK 17/I TROUBLE ON RADIO TRITON_ ((((((( CHANGING (THE) WORLD (S) )))))), and their recomposition in the present time

  • produced by a.pass

  • initiated, cooked, cut, pushed through the fire, by Pierre Rubio

  • technically, artistically and dramaturgically supported by Christian Hansen and Sina Seifee

  • notes on the website’s techno-epistemological making (Sina Seifee)

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  • latest update: 13.February 2020

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